One person in my stable of blog characters is Capt. Baz. No, don’t worry, this one isn’t about him. However, it started with him.
“Hi Jonas – my little brother Dave is in town, and he really would like to learn to fly cast,“ was the gist of our phone conversation, followed by “and it is on the house too!” I am fine with “the work is your reward” philosophy if I am teaching something. However, Baz, manual labour is a straight no no no.
Dave showed up, and he was an exceptional student from the outset. When I am teaching raw beginners I find one issue in them all. It doesn’t have to do with the movement, but rather lack of it, i.e. they just can’t stop the hand/wrist and rod when they make the backcast. So, their backcast will look like the picture below.
The motion we are trying to teach starts with our upper arm vertical, and under arm horizontal (90 degrees). Then the hand is moved up and back with constant acceleration to an abrupt stop until the underarm has reached the vertical position with the wrist firm. This movement should be smooth, and the acceleration constant, but the stop must be abrupt. There are some issues with the constant smooth acceleration, but that can be ironed out rather quickly. However, the abrupt stop on the back cast is very hard to accomplish in the beginning. The drawing below shows a good backcast.
This near universal inability to stop the hand/wrist and rod is a bit baffling when you come across this first when teaching (conveniently forgetting how I myself struggled). We use our arms and hands all the time to do all kinds of complicated tasks. We certainly can stop a forward moving hand hard (think fly swatter – hammer). But, when you think about that particular backward motion, we do not use that often in our daily lives, if at all. When we gain the ability to stop our hand on the back cast – the backcast will be straight without slack – setting up a good forward cast. My task as a teacher is pretty much wrapped up when my students understand the importance of the abrupt stop and straight backcast. All the rest is tweaking this or that.
But returning back to Dave, it turned out that he could absolutely stop his hand wherever I wanted him to stop it, while keeping the wrist firm. On top of that, the constant acceleration part was there, too. This piqued my interest, so I asked him what his work was. “Oh – this and that in business“ was the answer ” and I am a drummer (i.e. sort of a musician).” Now this was very interesting to me, and sure enough the musculature of his underarm was exceptionally well developed, and precisely those puppies control the wrist movement. Biceps and triceps have to do with flexion and extension of the elbow.
We had two short sessions, and at the end he was double hauling, and shooting line with ease. A week later he calls “How long are these fly lines?” It turned out that he was casting into the backing (fly lines are around 100′, some shorter some longer). That is a very long cast for even excellent casters.
Since then, drummer Dave has shed his skin, and found Capt. Dave within – and is running a guide service. https://gulfbreezefishing.com
Last January Capt. Baz, Odell Mullis and I went to the Bahamas to escape the Florida winter, that is, what there is of a winter. This was Dave’s first encounter with bonefish and he had been told that they would be very hard to catch. We don’t go to a bonefish lodge, so it is low key and self guided. The Bahamian flats are just stunning. Vast flats become dry on low tide and then the tide comes in, and the bonefish follow to get to the smorgasbord of the inundated flat.
Yup, you guessed it, Dave with a bent rod became a recurring theme. Bent rod when I only almost had a strike!
The bonefish subsequently released. Needless to say, Dave caught numerous bonefish on his first trip with us.
I gotta go now – the UPS guy is at my door delivering my set of drums.
Pictures; Jonas and Odell
English consultant; My good retired neighbor Joe.